coming together over three years since his critically acclaimed last album, hyetal completes his transformation from off-kilter dance music producer to futurist pop visionary on youth & power.

sometimes he sounds like the euphorigenic warmth of a spring wind, sometimes he send us on a fluorescent roller coaster ride through the bends of our brain: mollono.bass creates a world of sound that has many different climate zones. his remixes are probably the most vivid proof of this characteristic feature. they cover quite all aspects of electronic dance music, but frequently they also come from genres that are surprisingly remote. somehow he manages to merge all these different vibes and inspirations into one compelling flow of danceability. thats why the fourth part of the mollono. bass remix collection is like a panoramic view of all these different layers of mood and atmosphere.

at mule musiq, weÕve focused on shining light on the many aspects of what electronic music can be, putting out house, techno and ambient releases on our main label, while releasing alternative-leaning dance music through our endless flight imprint. but with the launch of our new label, studio mule, we are stepping away from electronic club music for a bit.

die produzenten und djs gabriel & dresden aus san francisco sind seit fast 20 jahren in der globalen progressive house- & trance szene mit vielen club-hits, billboard nr.1 dance hits, remixen fŸr killers, tiesto, paul oakenfold, motorcycle, dido & sarah mclachlan und veršffentlichungen auf renommierten labels wie armada aktiv. nun erscheint ihr lang erwartetes neues album auf dem above & beyond label anjunabeats, nachdem das duo 2016 eine kickstarter kampagne fŸr das album startete und vom ŸberwŠltigenden support ihrer fans Ÿberrascht wurde. als features sind sub teal, jan burton und josh gabriel dabei.

house music has enjoyed an incredible year and 2018 looks set to continue to provide yet more outstanding additions to the genre. defected presents most rated 2018 celebrates the wealth and variety of house created, played and enjoyed on dancefloors worldwide, showcasing the records doing the business in clubs right now, previewing the hits of the year ahead, and reflecting on the big tracks from the past twelve months that are destined to become tomorrows classics. most rated is the series that consolidates the dj essentials and biggest records of the moment and the future, presenting them in an unmissable package of full length, unedited, unmixed tracks. with tracks and remixes from the biggest artists in house music, including jamie jones, kink, kšlsch and mk featuring alongside defected friends and family melŽ, amine edge & dance and luke solomon. most rated 2018 features standout tracks taken from some of the biggest albums of the year by artists like folamour and honey dijon. folamours devoted to u and honeys state of confusion featuring joi cardwell are reflective of a fantastic year for both. feel-good tracks like bwi-bwis insight and dario dattis sunshine people stand alongside chart-topping hits like amine edge & dance vs blaze (kevin hedge) lovelee dae, which reached the 1 spot on the beatport house chart. the album reflects the recent resurge of disco with cuts like the shapeshifters Ôwhen love breaks down and mousse t.s remix of camelpha

seit fast 20 jahren bereichert der brite james holden die electronic-szene mit innovativen, prŠgnanten und stilbildenden ideen. fŸr sein drittes album versammelt er die liveband the animals spirits um sich herum, um seinem elektronischen sound organische liveinstrumente wie saxofon, kornett oder cosmic-percussion hinzuzufŸgen. so entsteht ein neuartiger, synthbasierter folk-trance, der elemente wie psychedelia, krautrock, weltmusik und spiritual-jazz mit holdens melodischer stŠrke kombiniert. damit kreiert holden eine neue genreprŠgende form universeller musik, die gleichzeitig flŸssig wie lebendig klingt.

the best of psychedelic & pregressive dance music. compiled by drukverdeler & dj bim

beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded ¾private collection® album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two ¾private collections® are already considered classics by the jazz-dance community.

detroit producer norm talley shares his debut album, Ònorm-a-liseÓ on fxhe records. from a prolific dance floor career comes this debut full length album.
featuring 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. the album includes a track written by fxhe label boss omar s aka alex smith featuring l Ôrenee.

11 mixes inklusive afrojack mash _up, live tour vesion

in seiner fast 25-jŠhrigen karriere hat paul fast alles erreicht, was man in der internationalen dance-welt erreichen kann: mehrfach wurde er von den dj mag-lesern zum no.1 weltbesten dj gewŠhlt, 2014 sogar zur no.1 aller zeiten. sein klassiker -for an angel- (1994) zŠhlt fŸr das mixmag zu den 10 besten dance-tracks aller zeiten. weltstars wie madonna, u2, depeche mode, new order oder rammstein nehmen seine remixkŸnste in anspruch. paul spielt jŠhrlich Ÿber 150 shows, mit 1.5 millionen gŠsten gelang ihm silvester 2008 in rio de janeiro ein neuer publikumsrekord. und seine wšchentliche radioshow -vonyc sessions- feierte im mai 2016 ihre 500. folge und gehšrt mit einer durchschnittlichen downloadrate von 250.000 zu den 10 beliebtesten dance-formaten auf mixcloud. nun liegt pauls neue cd -from then on- mit 14 exzellenten tracks und zahlreichen kollabos vor. darauf befinden sich u.a. die 3 bisherigen single-auskopplungen -everyone needs love- (beatport trance #2), -touched by heaven- (beatport trance #3) und der jŸngste smash -stronger together- (beatport trance #1). damit wird die umfangreiche paul van dyk alben-diskografie, die mit album #7 -the politics of dancing 3- im frŸhjahr 2015 ihren bisherigen hšhepunkt erreichte, mit dem achten werk endlich fortgesetzt.

3 cd compilation incl house and disco classics feat. kraak & smaak, tschik, crazy p, sandy b, joey negro, todd terry, mike dunn, hot chocolate , shapeshifters, clivilles & coles, swing 52 , lenny fontana, atfc, gusto, kristine w, joe smooth, gino soccio and many many more

japanese house producer, kuniyuki. a cd album that collaboration with him and talented producers. selection of seven songs from co-production with vakula, dj nature, jimpster which was only record release. dj sprinkles a.k.a. terre thaemlitzs remix and 2 collaborations with londons k15 are included. all 9 songs included. floating points, joaquin joe claussell is also a strong supporter of sapporo.

what could we possibly expect better from les nŽgresses vertes than a grand dŽballage (big unpacking)? these happy music gipsies, children of the road and party open their caravans and throw everything on the place. twenty artifacts of a feverish schoolÕs fete where guitars and accordion lead the dance. les nŽgresses vertes made their 1999 album ÒtrabendoÓ rigged by the electro wizard howie b., and we get this in our hands with this big unpacking. from the very last single Òvoilˆ lÕŽtŽÓ to latinos excursions with Òhou mamma miaÓ and Òsous le soleil de bodega-, all their hits are here. un gipsy-arabic-andal-andalusian moving which will make you see Òdes vertes et pas mžresÓ - youÕll see it all.

with many influences, the musicians of la mano create a peculiar sound, a rock-salsa-ra•-reggae-rap cocktail which they baptize patchanka. manu chao, who writes lyrics, gives to the patchanka a more personal definition: a popular dance with apache lyrics and chorizo spirit. the band starts touring across france in october 1987 and rapidly establishes a solid reputation. a few months later, when the second record putas fever is released, the success is obvious. tracks sung in french, spanish or arabic, pas assez de toi, king kong five or sidi hbibi are immediate hits. after a long live-cruise in 1992 along the south american coasts, la mano negra gets back to france and separates in 1994. its hard to tell the impact of la mano negra across french and spanish speaking countries, with as many particular experiences that people lived during their tours.

als in den spŠten 80er jahren die ersten outdoor-trance-partys im indischen bundesstaat goa stattfanden, hŠtte niemand gedacht, dass sich dieser trend so lange halten bzw. weiterentwickeln wŸrde. kaum eine andere dance-szene in europa hat ein grš§eres zusammengehšrigkeitsgefŸhl als die goa-szene. hier wird musik und alles, was damit zusammenhŠngt, noch gelebt. zu keinem genre gibt es eine ausgeprŠgtere und besser entwickelte -underground--partyszene, in zahlreichen foren und communitys stehen die fans in regem kontakt. stŠndig finden kleinere veranstaltungen statt, und im sommer sind die gro§en festivals und partys wie waldfrieden wonderland, vuuv festival, alice im wummerland oder psy-purgisnacht immer ausverkauft.

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fŸr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflŸsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fŸr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

double cd feat. tracks anc exclusive edits from the jammers, skyy, love committee, charo, double exposure and loleatta holloway. mastermixed by dimitri from paris

the mexican collective future feelings is made up of fernando dimare, juan soto (an existing nang warrior), thomass jackson and dan solo. the talented bunch make accessible dance tunes which are easily at home on the floor or for listening too. after a string of festivals and appearances in south america and a slew of remixes (for artists such as lindstrom, donna summer, goldroom, treasure fingers and the knocks) we are pleased to be releasing their debut album on nang.

pianos have featured in house music since day one. there s just something about the combination of looping piano chords and a skipping house groove which works so well. in contemporary dance music the piano still remains intrinsically linked to house, though it was in the late 80s and 90s that the true piano house classics were created. we took it to our hearts. the emotionally charged piano riff became a defining motif of uk dance music. producers knew they only had to alight upon a suitably uplifting three-chord piano hook in order to unleash a tide of misty nostalgia for rave s halcyon days. ministry of sound are proud to present piano house classics.

decadent yet depraved, the debut album by belief defect, finds shelter and complicity in raster as home and label. familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future Ð underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. yet, more than a political statement Èdecadent yet depravedÇ is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

dance / edm pop hymne

welcome to the ever so eighth sun-drenched installment of all that is great and summery in the nu disco universe. back at the helm after a few summers off is slovenian superhero and all-around nang buddy sare havlicek at the controls. sare has deftly compiled and mixed a cadre of fine delights for those summer grooving nights (and days).

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

one cd mixed by popof and the other from luca donzelli

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-ones watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.cs best solo work to date & essential listening.

unmixed! more late 70s westcast yachtpop yu can almost dance to!

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jŠhrige david russell lee 1977 in einer tv-sendung den song -boogie nights- von heatwave hšrte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl -produced with love- erst sein zweites eigenstŠndiges album nach -universe of love- von 1993 ist, hat joey negro in den vergangenen dekaden mŠchtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er fŸr grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die -house masters-- serie, -remixed with love-, -disco not disco- oder -kings of house-. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

2017 dance house summer hits ! incl. lost frequencies, starley, low steppa, edx, croatia, squad calippo, inpetto, luke ! 2 cd compilation!

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90Õs electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his Òpoint epÓ, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune Òpoint in timeÓ, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album Òpurposely uncertain fieldÓ on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops Òphase transitionÓ, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

our first go ibiza compilation has been compiled by bobby & steve and michael hughes and mixed by our very own bobby & steve. it features 28 amazing tracks and is modelled around the launch of our groove odyssey presents go ibiza four day weekender, which took place from the 19th-22nd of may 2017 at the beach star hotel, san antonio bay, ibiza. with over 40 artists from around the globe coming together on the magical island of ibiza, it was a memorable affair and many of the guests now feature on the album.

nice price deal !!!

featuring a host of luminaries from the world of soul & r&b, chart-topping songwriter and award winning producer mike city presents new album Ôthe feel good agenda vol.1Õ. earning his big break back in the year 2000 as writer and producer of a #1 hit in the form of Ôi wishÕ performed by carl thomas, mike went on to work with brandy, rihanna, angie stone and jamie foxx as well as penning sunshine andersonÕs smash hit Ôheard it all beforeÕ. renowned for his deeply rooted, melodic production style and distinctive vocal arrangements, mike city consistently finds himself in-demand from a-list hip hop, r&b and pop artists, as well as finding favor in dance music circles during recent years. placing him inside their Ôtop 100 soulful house artists of 2016Õ, traxsource declared mike Òone of the soulful sceneÕs most in-demand producers, singers and songwritersÓ and Òa name synonymous with quality music, no matter the genreÓ. a highly accomplished vocalist in his own right, Ôthe feel good agenda vol.1Õ sees mike take centre stage, showcasing a selection of previously unreleased songs with a little help from his friends. best described as r&binfused dance music, the album boasts cameo vocal appearances from leading lights of the urban music scene including: faith evans, lalah hathaway, dwele, teedra moses and the man whose voice kick-started mikeÕs stellar career, carl thomas.

love and money front man james grant has collaborated with producer gordy goudie to form the korvids, releasing a dance album. for the older generation who might want to bust a move once more in honour of their younger selves. james says, i wanted to be someone else for a while. sound different. write different. it can be dreary being me all the time..i sing most of my vocals on the record in falsetto, which, as we know, is the international language of disco. the korvids marry their love of disco and 70 s funk with influences such as deodato, massive attack, miles and anything else that takes their fancy. after the success of their debut release beach coma, which was picked up by sirius us radio and remixed by balaeric legend jose padilla, the duo released bad faith, a beauteous cut of late 70 s disco remixed by love & money and steely dan s producer gary katz. james was the front man for love and money, everyone s favourite band from the 1980 s who should have been massive but somehow werent. the other half of the korvids, gordy goudie, is also no stranger to the business having produced simple minds and playing bass and guitar for the primevals and echo and the bunnymen.

panorama bar resident nick ho&#776,,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. itÕs a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut tonÕs label manager in 2012, nick ho&#776,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghainÕs panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12Ò releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gefŸhl geht. musik = emotion = stimmung! jeder einzelne song auf diesem album ist ein meisterstŸck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

3 cd compilation! your favorite dance floor fillers... mixed by ministry of sound

!!! (chk chk chk) liessen Òshake the shudderÓ von den dance-koryphŠen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. wŠhrend die band, geprŠgt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsŠnger nic offer seine vocals Ÿber die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards.

cd edition of michael mayers dj - kicks, tipp
michael mayer. credited by many as one of the leading tastemakers in dance music, his dj sets have influenced a generation (or two) of musici- ans and fans out there today. an artist that has never allowed time or age to slow him down Ð michael mayer remains tirelessly motivated behind the dj decks, in the studio or behind his desk at kompakt, the company he co-owns and is up next on k7 s long running dj-kicks series.

auf zwei cds finden sich hier die derzeit besten und angesagtesten clubhouse-hits, die diesen sommer auf allen wichtigen europŠischen festivals rauf und runter gespielt werden. *house festival megamix 2017* gibt den spirit der gro§en festivals (tomorrowland, parookaville, nature one, holi farbrausch, etc.) wieder und prŠsentiert die hits aus den charts, dance-charts und von den turntables der bekannten djs in einem energiegeladenen megamix mit Ÿber 80 tracks - ein echtes schwergewicht also. * house festival megamix 2017* - dont miss it!

als in den spŠten 80er jahren die ersten outdoor-trance-partys im indischen bundesstaat goa stattfanden, hŠtte niemand gedacht, dass sich dieser trend so lange halten bzw. weiterentwickeln wŸrde. kaum eine andere dance-szene in europa hat ein grš§eres zusammengehšrigkeitsgefŸhl als die goa-szene. hier wird musik und alles, was damit zusammenhŠngt, noch gelebt. zu keinem genre gibt es eine ausgeprŠgtere und besser entwickelte -underground--partyszene, in zahlreichen foren und communitys stehen die fans in regem kontakt. stŠndig finden kleinere veranstaltungen statt, und im sommer sind die gro§en festivals und partys wie waldfrieden wonderland, vuuv festival, alice im wummerland oder psy-purgisnacht immer ausverkauft.

having come up with an annual-ish drop of 12inches since 2010, even brenden aka chmmr set aside the spring of 2016 to challenge himself to a new format: a full-length album. a true nostalgic, he uses compass point-era and early italo sounds for inspiration and attempts to simulate these styles. this makes for a melodic, chuggy and graphic album that belongs a little more in the living room than on the dance floor. with 10 tracks of dusty rhythms and the honest, naive and spacious themes that is brendenÕs signature, its a record designed to signal that todays technological future may not be as different as yesterdays. features a nice-looking cover painting drawn by the late harold cohenÕs aaron program - automation at its finest. hidden behind his chmmr moniker is even brenden, whose summery debut found its way into the world via norwegian psych-disco label luna flicks in 2010. the record became somewhat of a soughtafter item and after making pit stops at relish, d¿dpop and untz untz records, he landed on prins thomas full pupp in 2014 and have stayed put ever since, all the while enjoying a steady habit of record jocking and the occasional keyboard duty in telephones now-defunct live band. even resides in oslo makes odd waves without vowels.

das new yorker dj/produzenten-duo soul clap vermag es, hip hop, funk, soul und disco-elemente in einen modernen house-sound einzubetten und entsprechend futuristisch und visionŠr, aber gleichzeitig funky as hell, klingt ihr neuer fabric-mix. der spirit des house wird transportiert durch soul-sounds von ancient deep, ken gill und daev martian Ÿber afro-styles von den sol power all-stars und maajo bis zu klassischen vertretern wie barbara tucker, indian ocean und storm & herman.

der britische ausnahmeproduzent darren daz cunningham, besser bekannt als actress oder neuerdings azd (acid ausgesprochen) ist mit einem neuen album auf ninja tune zurŸck! spŠtestens seit seinem 2014 veršffentlichten album ghettoville welches auf dem von ihm mitbegrŸndeten ninja tune sublabel werkdiscs erschien wird er als einer der grš§ten innovatoren elektronischer musik gehandelt. das album vereint komplexitŠt spielend mit eleganz und verschmelzt zusammenhanglose wortkonstruktionen und elektronische klangwelten mit hilfe neuester ghetto cut up technologie. cunningham selbst beschreibt das neue album als non dance based civillian mind groove, mapped to an external soul beyond the collapsing black holeÉmusic is chaos r.i.p music

suction records is thrilled to present the debut archival album release by rx-101, a bedroom techno producer from the netherlands, erik jong. -like yesterdays- compiles 10 tracks from rx-101 s first two vinyl-only 12- eps, together with three cd/digital album exclusives. this previously unreleased material dates from 1997-1999, recorded live to cassette in a feverish burst of creativity, utilizing a small arsenal of classic techno instruments. here s rx-101 in his own words: -from childhood i loved dance music. in the 80s one of my older brothers always recorded mixes from the radio and we always listened to that. my other brother and sister took music lessons in electronic organ and when i was about 9 years old i did the same. i quit when i was 14. from childhood i was fascinated by synthesizers. in the late 80s i started more and more listening to dance and house music and it was 1991 when i started listening to techno from labels like underground resistance, transmat, metroplex, +8 records and warp

with his third album vin ploile the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe. well known as one of the key figures of the romanian electronic dance music scene since his first ep tips on lucianos label cadenza, inspirescu stepped away from club sounds that made him famous due to releases on labels like vinyl club, lick my deck or amphia.

kein club ohne eine regelmŠ§ige dubstep-veranstaltung! dubstep hat sich lŠngst zum festen bestandteil der club-kultur entwickelt. ursprŸnglich ein nischen-stil von clubgŠngern fŸr clubgŠnger, hat dubstep nun schon seit lŠngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzubŸ§en. die basslastigen, treibenden beats sind einfach der sound der stunde. dubstep 2017.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 34 der stŠrksten und angesagtesten club-hits aus diesem genre!

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension. dont worry, the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostface killah, one of wu tang clans members that delivers a punchy performance on the upbeat tempo track thrilla, as well as steve edwards, the house music singer who sang with swedish producer axwell, and whos also known for having lent his voice to bob sinclar on the famous world, hold on. were releasing the album once more, so that you can get back into the fabulous swing of cassius.